![]() Additionally, this update adds support for ACES 1.3, including gamut compression, so users can now more accurately display wide-gamut images to be certain they are getting the best representation of the source image.Ī new Resolve FX called custom mixer allows users to combine effects and adjust grades with finer control. When combined with improved vertical layouts, rotation and line direction when working with Text+, this enhanced language support will allow users to work in a wider range of languages and layouts.ĭaVinci Resolve 17.4 adds greater support for automatic color management, making it faster and simpler to set up projects. With Fusion, artists get additional support for languages with combined glyphs and those that write right to left, such as Arabic and Hebrew. Additional support for asymmetrical trimming allows users to adjust a transition’s in point without affecting its out point or vice versa, enabling them to fine-tune work more quickly. Users can now use DaVinci Resolve Speed Editor to switch between cameras in multicam clips on the edit page, making it faster to cut programs together. This creates a more custom transition from one point to another when applying zoom or image position adjustments. There are also improvements to the edit page, such as better functionality for position curves in the timeline so users can more easily adjust the ease-in and -out points. Other features include quick and easy render setup with dedicated Dropbox and Dropbox Replay presets as well as automatic background uploads that are monitored for status and confirmed when complete.įor subtitling, DaVinci Resolve 17.4 includes automatic resizing of backgrounds and cursor placement when creating captions, as well as nested timeline subtitle tracks that now auto-populate the main timeline to speed up caption creation. Plus, with a simple login, users only need to sign in once. Frame-accurate colored markers, comments and annotations made in Dropbox Replay are almost instantly synced to the DaVinci Resolve timeline. Resolve 17.4 also adds Dropbox Replay integration so that projects will flow smoothly from DaVinci Resolve Studio directly to Dropbox Replay for easy video review and approval. ![]() ![]() Support for ProMotion 120Hz displays makes playback and editing smoother, and the new version also supports HDR viewers on the new Apple MacBook HDR displays. Additionally, DaVinci Neural Engine performance is up to 4x faster, for real0time facial recognition, object detection and smart reframing. Resolve 17.4 is available for download now from the Blackmagic website.ĭaVinci Resolve 17.4 also increases the decoding speed of 12K Blackmagic RAW files, making it over 3x faster, while H.265 rendering is also 1.5x faster. With this speed increase, users can play back, edit and grade 8K projects faster as well as work with up to 12 streams of 8K footage. You can learn more about Davinci Resolve 17 and Blackmagic's Speed Editor right here.Blackmagic says its new DaVinci Resolve 17.4 is 5x faster on the recently introduced Apple Mac models with the M1 Pro and M1 Max chips. ![]() I have been using Davinci Resolve 17 and Blackmagic’s Speed Editor for the last few months, and it is starting to take my videos to a whole other level. In the video above, Daria Fissoun, a trainer for Blackmagic’s Davinci Resolve, discusses the best settings to use to cover your bases when it comes to exporting your footage for the web. That is why it is important to color grade and tag and output your videos on a Mac properly to ensure that your viewers, regardless of the internet browser they are using, see the colors in your content the way you intend them to look. To explain further, viewers of your online videos may be using different internet browsers that manage color differently, such as Firefox, Safari, Chrome, or Microsoft Edge. But with the use of the correct tags and output settings, you can output accurate color for a majority of the people who view your content on the web. When it comes to color grading on a Mac, knowing that what you see while editing is going to look the same when you output your video can be a little confusing, the reason being that Apple uses its own color management system that isn’t natively recognized in Davinci Resolve.
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